The English-language news channel of Al Jazeera consistently is first on the scene of Mideastern developments, and its journalists provide smart analysis of global events. It may be today’s most influential television-news operation.
After WWI, Britain and France made the Arab world the object of history, not its subject. James Barr’s new book shows that the Middle East was born crazy. Later misunderstandings and manipulations were laid atop well-worn grooves.
George Kennan presents a study in paradox. With penetrating scholarship, John Lewis Gaddis explores Kennan’s complex psychology and provides an intellectual history of the Cold War in his comprehensive and wonderfully written biography.
Benny Morris reviews Gilad Sharon's biography of his father, Ariel Sharon.
For those who think we live in an age of unrestrained violence, think again. At least according to one Harvard psychologist, mankind has learned to rein in its inner demons. But is Pinker’s civilization-as-progress thesis too good to be true?
We thought the lessons of Vietnam could never be unlearned. But Washington warmongering heeds no warnings, plunging America into the quagmires of Iraq and Afghanistan. The depths of dysfunction behind these decisions seemingly know no bounds.
Jonathan Steinberg’s new biography depicts a Bismarck rife with contradictions. Still, it comes dangerously close to conflating the mad Junker’s cautious conservatism with the führer’s nihilism. There is more to Germany than destiny alone.
Think airpower is the military strategy cure-all? Martin van Creveld begs to differ. His latest offering argues that aerial armaments have failed to confer a decisive advantage, tricking aggressors into believing that victory will be easy.
The typical vision of Chechnya: a violence-filled land of terrorists fighting for independence from the Kremlin’s iron grip. The reality is a land torn between nationalism and a Russian civic identity.
John Ikenberry's latest—Liberal Leviathan—offers a relentless mantra on the merits of the global liberal order while painting over the inherent tension between U.S. power and multilateral cooperation.
