Why Iraq Needs a Cultural Surge

July 4, 2017 Topic: Security Region: Middle East Tags: iraqIslamic StateISISDaeshwarMosul

Why Iraq Needs a Cultural Surge

Iraq needs a new surge—one that is focused on the reconstruction of the country's cultural heritage.

IT IS no secret that the Islamic State brought many tragedies. Potentially the most consequential of these is that in Iraq the rule of the erstwhile caliphate encompassed perhaps the world’s single richest trove of cultural heritage.

Now, as ISIS territory disappears yard by yard from the Iraqi map, it is time for the United States to start planning a “cultural surge” for this extraordinary pocket of the Middle East. Genesis locates the Garden of Eden closer to Basra, five hundred miles south. But it is Mosul and the neighboring Nineveh Plain that are the closest things on Earth to an Eden of civilization.

Home mostly to numerous ancient sects of Nestorian, Catholic and Orthodox Christians, but also to Shabaks, Yazidis, Kurds and Mandaeans—and more recently to Sunni and Shia Arabs—Nineveh has, for most of history, been populated by descendants of the ancient Assyrians. Jews were there from Babylonian times until the 1950s. Various Iranian invasions brought Persians. The Ottomans brought today’s Turcomans. There are Armenians and Circassians. The many languages of the Nineveh Plain include the tongues of Mohamed, Zoroaster and Jesus.

Nineveh’s cultural wealth reflects the appeal, to the tides of invaders over the millennia, of its rich agricultural plain. These are almost the only lands in Iraq that yield perennially rich harvests without irrigation.

Today the wheat on the Nineveh Plain is waist high again. Dotted with tidy rectangular plantations of tomato or watermelon, it rolls in golden waves to every horizon. The blackened villages are mostly ghost towns. Inside the churches, the debris has mostly been swept into piles. A few families return by day to sift through the rubble, begin repairs to their houses, or sell Pepsi and cucumbers to their scarce neighbors.

 

In west Mosul, the ravaged shell of the Mosul Museum is, depending on the day, a few yards or a few streets on one side or the other of the frontline. (Since my recent visit it has changed hands at least twice.) Amidst the rattle and booms of the fighting, Layla Salih stands inside the charred carcass of her office. An employee of Iraq’s State Board of Antiquities and Heritage, Salih is head of archaeology and heritage buildings for the Nineveh Governorate. The walls and ceiling around her are blackened. Rubble is shin-deep all around.

“We have no budget to fix any of this,” Salih tells me. Amidst the wreckage, there is no sign of her desk. There are no files, bookshelves, or chair. “We can barely protect the archaeological sites. How can we rebuild our country if we cannot save our past? In Iraq, the ancient heritage is the one thing that brings us together.”

As we pick our way out of the building, we pass the throne of Ashurnasirpal II, a noted sadist of the ninth century BC who “washed his weapons” in the Mediterranean and boasted of torturing his captives. “From some I cut off their noses, their ears and their fingers,” the Assyrian empire-builder says in an inscription. “Of many I put out the eyes . . . The young men and maidens I burned in the fire.” Pointing out his massive royal seat, now a knee-high pile of broken gray alabaster, Salih mentions that her salary has not been paid for the last two months.

Also inside Mosul city, but east of the Tigris and liberated in January, is Nabi Yunus—the tomb of Jonah. Here, ISIS destroyed the ancient shrine and dug half a mile of tunnels to loot the Assyrian palace beneath. In the low, narrow, crooked tunnels, it is impossible to tell whether the occasional, deep unnerving thunder is an allied air strike or an ISIS car bomb. A discarded orange jumpsuit, eerily lit by a cellphone, attests the slave labor that performed much of the caliphate’s rough archaeology. According to Salih, of the twenty-odd heritage sites in Nineveh Province administered by the Ministry of Culture in Baghdad, all have been damaged by ISIS, many severely.

The most important of these, and the most destroyed, is Nimrud, twenty miles southeast in the plain. This was Ashurnasirpal’s principal palace, built with war captive slave labor of his own. Picking her way carefully over the broken walls from Ashurnasirpal’s palace, wary of booby-traps and unexploded ordinance, Salih estimates that with bulldozers and explosives ISIS has destroyed about 90 percent of the ancient palace. The ancient perimeter walls once measured five miles around. The site, to the naked eye, is far too large for the handful of bedraggled guards assigned to protect it. Salih says that guards are paid by UNESCO.

“We need security. We need salaries . . . ” she says. “We must retrieve what has been looted. We can fix much that has been smashed. The losses need to be catalogued. We have to document the condition of dozens of sites.”